A Batalha do Apocalipse (14th Edition) by Eduardo Spohr

By Eduardo Spohr

Há muitos e muitos anos, tantos quanto o número de estrelas no céu, o paraíso celeste foi palco de um terrível levante. Um grupo de anjos guerreiros, amantes da justiça e da liberdade, desafiou a tirania dos poderosos arcanjos, levantando armas contra seus opressores. Expulsos, os renegados foram forçados ao exílio e condenados a vagar pelo mundo dos homens até o Dia do Juízo Final.
Mas eis que chega o momento do Apocalipse, o pace do ajuste de contas. Único sobrevivente do expurgo, Ablon, o líder dos renegados, é convidado por Lúcifer, o Arcanjo Negro, a se juntar às suas legiões na Batalha do Armagedon, o embate ultimate entre o céu e o inferno, a guerra que decidirá não só o destino do mundo, mas o futuro da humanidade.
Das ruínas da Babilônia ao esplendor do Império Romano, das vastas planícies da China aos gelados castelos da Inglaterra medieval, A Batalha do Apocalipse não é apenas uma viagem pela história humana – é também uma jornada de conhecimento, um épico empolgante, repleto de lutas heroicas, magia, romance e suspense.

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Additional resources for A Batalha do Apocalipse (14th Edition)

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All this is the opposite of the truth. Some exoneration might be found in the fact that when Mirsky was writing his great history of Russian literature in England (and in English) in the 1920s, Chekhov was the darling of the literary world around him, eclipsing even Dostoevsky, Anum Cbekbou 11 Perhaps Mirsky felt that the adulation had gone too far and had to be checked. Today, however, the many thousands of English-speakers who are able to approach Chekhov in his own language must read such opinions with astonishment, for there is hardly another Russian writer who offers such a variety of human types, settings, and situations; such a diapason of emotions from helpless laughter to genuine sadness; such a sane, healthy, and understanding relationship between author and characters; or a style of such exquisite balance and unpretentious beauty that even foreigners can glimpse its perfections.

Not that being contradictory is stupid; a stupid man is stubborn but he doesn't know how to be contradictory. Yes-Frederick was a strange man. He merited his fame as the greatest emperor the Germans ever had, and yet he couldn't stand them. " Xl Speaking yesterday evening about the poems of Balmont, he said, "Romanticism is nothing but the fear of looking ... Sections VlIl and XVII have been omitted. " Suler didn't agree with him and, lisping with agitation, read some more of the poems in a very emotional way.

Her hair had escaped from her comb and her bow of velvet ribbon, and was standing straight up around her head like a halo. Her eyes were foxy and bright. She had broken a glass before sitting down, and now, as she talked, her grandmother kept moving first a glass, and then a wineglass, out of her reach. As the bishop sat listening to his mother, he remembered how, many, many years ago, she had sometimes taken him and his brothers and sisters to visit relatives whom they considered rich. She had been busy with her own children in those days, and now she was busy with her grandchildren, and had come to visit him with Katya here.

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